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What is Social History?

social history was a new approach to the subject matter and historical method against traditional ways of making history that emerged in the interwar period and consolidated after the Second World War. Represented by various historiographical, social history is characterized by an interest in their work on the structural elements of the social and the actions of historical subjects.

addition to the texts of Unit 1 of the matter, others offered here can serve as an introduction to the topic. First, Peter Burke, "The new history, its past and its future" , which presents an excellent summary of the key features of social history and the multitude of trends that have taken over the last century. Secondly, the chapter "Emancipation and the rise of social history" belongs to the book Social History / Historical sociology (1989) by Santos Juliá, which delves into the characteristics of two of its main currents, Annales French and the British Marxist historians and their followers. Third, the balance of achievements " and challenges the social history of medieval period was as a conference of 1972 ( " medieval societies, the nearest whole " ) Of the great historian Georges Duby. You can also read the text "history from below" Jim Sharpe, where he takes a tour of the main works of those historians who have investigated various aspects of the subaltern, one of the most important developments in social history. To follow a major controversy among German social historians, we offer the text of Jurgen Kocka "social history, between the history of the structures and the history of experiences" (1986), and among British historians, the defense of a story theoretically informed by Raphael Samuel in his essay "History and Theory" (1980).

Finally, two extraordinary examples of the contributions of social history during the twentieth century: a brief selection of Kings casters (1924) by Marc Bloch, who studies popular belief on the ability of healing of scrofula by the laying on of hands of the monarchs in France and England, and the Introduction of Cheese and the Worms. The cosmos, according to a sixteenth-century miller (1976) by Carlo Ginzburg, where he reflects on the possibilities of a history of popular culture in a period where there are no written sources produced by the sectors themselves subordinates.